"[A]n astonishing display of vocal nimbleness"  

- David Allen, New York Times

“DeBoer Bartlett, her fellow sopranos Liz Pearse and Carrie Henneman Shaw, and mezzo-soprano Kayleigh Butcher are all fearless champions of contemporary music, with the pipes to back it up.”

- Stephanie Manning, Cleveland Classical

“Galvanizing soprano.”

- Keith Powers, WBUR Boston

"Soprano Amanda [DeBoer] Bartlett’s skilled acting and undeniable stage presence added depth and flair to the text as she spoke, sang, and occasionally shouted."    

Thulasi Seshan, I Case If You Listen

"[S]oprano Amanda DeBoer in “Himmelfahrt,” sounding truly like an angel, joyful and terrifying."    

Zachary Woolfe, New York Times

"Amanda DeBoer Bartlett brought her rainwater-fresh soprano to the medieval songs"

​- Jon von Rhein, Chicago Tribune

"In the dual role of Molly and Anne, Amanda DeBoer Bartlett was a high-energy dervish of theatrical presence, fizzy and fearless."

​- Matthew Guerrieri, Boston Globe

"Hitting the high Cs...will be soprano Amanda DeBoer Bartlett. An Omaha native, she recently returned home after launching a career that found her floodlit on stages across three continents."  

 - David Williams, The Encounter (Omaha, NE)

"Talented and lovely soprano."  

 - Opera Omaha

"DeBoer clearly demonstrated that she is not afraid of a challenge…The young soprano tossed off, seemingly effortlessly, a pair of the most challenging modern works for unaccompanied voice..."   

 - Jan Jezioro, Artvoice (Buffalo, NY)

"Amanda DeBoer deployed her expressive voice like a painter with an inexhaustible palette."  

 - Wynne Delacoma, Chicago Classical Review

"As the saint and her Immortal Soul (sung impressively by Amanda DeBoer) were gasping their way through a final indignity, the police were at the door deciding that this performance would be the last."      

 - Deanna Isaacs, Chicago Reader